2007《马丁·弗罗斯特的内心生活》4K迅雷网盘下载

评分：6.2

地区：西班牙 / 葡萄牙 / 法国 / 美国

片长：USA: 94 分钟 / Germany: 94 分钟(European Film Market)

导演：保罗·奥斯特

热度：18751℃

类型：剧情/喜剧/奇幻

语言：英语

编剧：保罗·奥斯特

主演： 大卫·休里斯/伊莲娜·雅各布/迈克尔·因佩里奥利/Sophie Auster

状态：DVD版

更新：2018-10-28

影片别名：在马丁森林内的生活

what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. 　　and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). 　　unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. 　　but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. 　　go innocently.一个关于文学写作的故事，如果才思泉涌这样的套路可以用视觉表现，Paul Auster做了一番努力，但他更是个小说家，视觉的堆砌有点像电影学院学生的摄影作业。音乐大多数时间俗不可奈，唯有姑娘的清唱如清泉涌入，对得起画面上美丽的葡萄牙。Very Paul Auster……片头曲听了一遍又一遍2.5 / 作家真的太容易把电影拍得过分死板了......标题就已经剧透了全部惊喜了......怀疑是自己看的关于文学创作的电影中最差的一部......???1.10年前的伊莲娜雅各布就已经老了；2.保罗奥斯特先生请好好写小说。仰天长笑（又看烂片（真想去读读他的书看看是不是也是类似的cliche（为什么thewlis的床戏总是一个姿势ugh写成小说也许更好看，拍成电影只能暴露出奥斯特的手法稚嫩，这种题材要么干脆交给林奇或科恩那种变态才会闪光吧，= =，要不是看伊莲娜根本看不下去一直喜欢有关艺术家创作的文艺作品，保罗·奥斯特是我喜爱的作家，但这部他执导的电影非常糟糕。影片毫无框架和灵魂可言，所有关于作家创作的内容和思路陈词滥调到极点，简单薄气，乏味无聊。那部#烟#就一般，但这部令我厌恶起他的电影作品。希望他别拍#幻影书#，别毁了一部好作品。雅各布的表演太差了让两生花演Martin之一，让女儿演James之一，绝对有预谋就算奥斯特多多少少是一个蛮糟糕的导演⋯⋯这部电影里还是有不少有意思的地方：他的女儿苏菲·奥斯特有趣的表演（还有清唱！）＋迈克尔的搞笑段落。Irene Jacob做缪思就有点太老啦！（ps. DVD里有段50分钟的奥斯特采访，似乎比正片好看，哈哈哈）情欲版《恋恋书中人》，关键是《幻影书》里的不是黑白默片剧本么！不是一个看上去可以被各种过度解读的故事么！怎么变小清新了！【卢平教授倒是真的很有作家气质Words are more beautiful.这才应该是我心中卢平的完美形象（尽管有那么一点胖）！电影本身好诡异，但是男女主之前的情愫莫名就戳中我了！“37 pages are nothing but words”真的是无虐不欢么。。所以这绝对是花痴DT同学的上乘选择啊！