2009《父子森情》4K迅雷网盘下载

评分：7.3

地区：波兰

片长：76分钟

导演：Piotr Dumala

热度：18430℃

类型：剧情

语言：波兰语

编剧：皮奥特·杜马拉

主演： Mariusz Bonaszewski/Stanislaw Brudny

状态：1080p高清

更新：2018-10-28

影片别名：森

The Forest” is a black and white experimental film. The action of the film takes place in two periods of time. An old man leads his son through a forest, and is simultaneously under his care confined to bed with a deadly illness. 　　The film attempts to portray the boundary zone between life and death. It examines the difficult relationship of understanding between father and son. They are to be combined with equal rights in animated and acted scenes. The formal essence of the idea is the seamless mounting penetrating these two worlds so that the changeability is virtually unnoticed by the audience, but accepted incidentally as the uniform language of the tale. The contemporary and forest themes do not signify a separation of the live and animated action. They fulfil themselves in the literary sense and create an impression of parallel coexisting worlds, where the same persons may experience different fates. 　　The essence of both stories is the relationship between the very old man and the man in middle age. This co-dependency, in which the questions of domination, cooperation, love, sacrifice and death appear. The history of the man in the forest is connected with the biblical theme of Abraham and Isaac. The story of the ill father and his son is harsh and to the contrary natural. Both themes run in parallel, but as if in opposite directions. Certain dramatic points seem related and mutually penetrating, reaching culmination in the scene of murder in the forest and in the scene of the opening eye of the dying father. 　　The co-dependence of four male figures in two male persons is to lead to touching the secrets of death. The title Forest, inspired in an unusual dream, is a metaphor for the collective fates of all people. 　　The method of filming approaches that of a documentary. It happens as an unseen entrance to the world of myth and pure creation. Black and white images and minimal dialogue have the effect that image and synchronising effects constitute the principle language of the story. This also is linked to the masters of the era of silent films, such as Dreyer and Murnau. 　　There were few films in the competition that I wanted to like more than the live-action feature debut of Piotr Dumała, one of the most distinctive animation talents to have emerged in Poland in the last three decades, which is saying something (Łagodna, his crepuscular adaptation of Dostoyevsky’s ‘A Gentle Spirit’, is arguably superior to Une Femme douce, Robert Bresson’s better-known 1969 version). Certainly, if the Era New Horizons festival had a cinematography prize, Adam Sikora would have won it hands down. Almost any random frame of The Forest could be enlarged and displayed as a fine-art photographic masterpiece: the forest exteriors are imbued with the same mysterious potency as a Tarkovsky dream sequence, while the spartan interiors show the same meticulous attention to composition, lighting and set decoration, a chamber pot is lit with the same loving care as the human face. But unsympathetic performances from both leads (Stanisław Brudny as the elderly, bed-ridden father, Mariusz Bonaszewski as his son, whose fractious relationship drives the film) ended up precluding what I assume was the intended emotional involvement - although dialogue is kept to an absolute minimum, it might have been more effective with none at all. But Dumała remains a major talent (an animated prologue supplies a handy reminder of where his reputation springs from), and I’ll be first in the queue to see whatever he comes up with next.【铭记大老板的训诫：你凭什么说它是“狗血亲情”】 这是一部有浓厚思想积淀的影片看了后半段的录像影像，更了解Dumala作为动画导演的风格了～父子身份对调的错位感。 爱与死亡总是生命永恒的主题。对白很少，快进看都没什么问题的电影。这片我打不了分，给高评价的人要么是专家要么是装逼。暗涌一种，内外景交叉回溯，较索科洛夫的《父与子》更具深邃情怀，契如两个男人的影子的重合。树上的蜥蜴。盘根结枝的模糊长镜。窗台盆栽。焚尸。溯流。PS：一度以为是俄罗斯电影，影像气质上太贴近萨金赛夫的《回归》。4.2分；如果說俄導安德烈·薩金塞夫在《回歸》里提出了父子關係重建的艱難性的命題，那么在皮奧特·杜馬立（曾是動畫導演）的《父子森情》則是提出了父子關係維繫的艱難性。PS：電影有幾個鏡頭居然有蘇俄Necrorealism派的風格，不過那是其次的。因為這部電影的畫面簡約而天然。