1969《来来回回》4K迅雷网盘下载

评分：8.4

地区：加拿大

片长：52 分钟

导演：迈克尔·斯诺

热度：2223℃

类型：剧情

语言：英语

编剧：

主演： Allan Kaprow/Emmett Williams/Max Neuhaus

状态：

更新：2018-10-28

影片别名：Back and Forth

"This neat, finely tuned, hypersensitive film examines the outside and inside of a banal prefab classroom, stares at an asymmetrical space so undistinguished that it's hard to believe the whole movie is confined to it, and has this neck-jerking camera gimmick that hits a wooden stop arm at each end of its swing. Basically it's a perpetual motion film that ingeniously builds a sculptural effect by insisting on time-motion to the point where the camera's swinging arcs and white wall field assume the hardness, the dimensions of a concrete beam. "In such a hard, drilling work, the wooden clap sounds are a terrific invention, and, as much as any single element, create the sculpture. Seeming to thrust the image outward off the screen, these clap effects are timed like a metronome, sometimes occurring with torrential frequency." - Manny Farber, Artforum, 1970感觉影片portrait了一台摄像机的性格， 没人的时候很疯， 有人就变得很慢很安静，观察着这个教室但又心无旁骛的做着自己重复的工作……个人感觉斯诺的特色。或许相对中部地区来说更纯一些，但是还是更喜欢后者在机械运动下的戏剧性而不是此片的内含物的戏剧性。其实应与波长相比，两者的处理方式相似，不过后者的戏剧性更多是内含物与机械运动相互作用结果，而前者的戏剧性有点割裂，除了窗外人...那就有点恐怖了...《电影艺术》上提到的实验片 在youtube上看了两片段在严格设置的装置空间内仍有戏剧性的内容发生，不过斯诺主要还是以摄影机摆动将空间耦合和层解的方式来创造新的视觉效果。他似想由三维中导出新维，也似想要降/分维，以机速超越视觉暂留速。显然最后胶片因显影速几乎跟不上机摆速而激进地动摇“电影画面24格”的物理原则了，空间的维度这时也跟着变得